2015 Nepean Knights invitational cool logo design for tshirt

2015 Nepean Knights invitational cool logo design for tshirt 

Best Photoshop Tricks and Tips to help you become better graphic designer

50 Photoshop Tricks for a Fast-Paced Work Environment

Are you a designer on a deadline? If you are, then I’m sure you can recall the last time you thought to yourself, “if I had a little more time, …

The truth is, however, that we designers will always be looking for more time to polish the one pixel that got away. But rather than begging our project managers for more time on our projects, maybe it’s time we look at our own workflows and see if there are any ways for us to gain just a little more time.

Of course, since our go-to design tool in the office is Photoshop, we thought we’d share with you 50 simple Photoshop tricks and shortcuts we love using that can help trim excess spent time in your workflows.

Important Note: The following require Photoshop CS5 and a Mac OS X. For PC users, you can swap the Command and Option keys for the Ctrl and Alt keys when moving between the Mac and PC

The Usual Keyboard Shortcut Suspects

Memorize these shortcuts. They hold the greatest influence and weight in slimming the time you usually spend in Photoshop.

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1. Layer Blend Mode Shortcuts: Normal (Shift + Option + N), Multiply (Shift + Option + M), Screen (Shift + Option + S), Overlay (Shift + Option + O), Soft Light (Shift + Option + F), Saturation (Shift + Option + T), Color (Shift + Option + C), and Luminosity (Shift + Option + Y)



2. Cycle through Blend Modes Shortcut (Shift + – or +): If you like cycling through various blending modes for quick experimenting, this shortcut allows for you to move up and down your current layer’s blending mode. Note that if you’re in any of the retouching/painting tools, it will cycle through the blending properties of that retouching/painting tool



3. Opacity shortcuts: Tapping 1 through 0 will give you opacities between 10% to 100%. Tapping multiple numbers in quick succession, however, will give you that specific opacity percentage (i.e., tapping 5 and 6 quickly will get you a 56% opacity level).



4. Fill opacity shortcuts: Holding down shift and tapping 1 through 0 will give you fill levels between 10% to 100%. The same applies here where tapping multiple numbers in quick succession of one another will give you specific fill percentages.



5.Keyboard shortcuts for flipping foreground and background (X): Use this to switch between your current foreground and background colors located in your toolbar.



6. Keyboard shortcut for setting default white foreground and black background (D): Quickly accessing black or white will be necessary for many occasions, including a quick layer masking, or brushing highlights and shadows onto objects. This shortcut defaults your current foreground to black and background to white.



7. Brush tool shortcuts for adjusting the size and hardness of brush tools: Hit the bracket keys, [ or ], to change the size of your brush. Hold down shift when using the bracket keys to adjust the hardness of your brush in 25% intervals.



8. Hiding and showing rules and grids: Use Command + ; to show and hide rulers. Use Command + ‘ to show and hide grids.



9. Fast editing with Hue/Saturation (Option + Command + U), Levels (Option + Command + L), and Curves (Option + Command + M): Quick pixel editing is sometimes a necessary thing to do in a PSD. Even if you’re just trying to experiment or see how certain pixels can be manipulated, try utilizing these fast shortcuts to adjust hue, saturation, lightness, levels, and curves on the fly!



10. Shift + Anything for incremental nudging: While you may already know that Shift + any Arrow Key incrementally nudges an object by 10 pixels (multiplied by whatever zoom level you’re at), did you know that holding down Shift + Arrow Key in certain windows in Photoshop can also allow for 10% nudges? Try holding Shift + Up or Down Arrow on any number input field in Photoshop (like the font size input field or any number input field in a layer styles panel) and you’ll see that holding Shift in these instances will also jump your number values in increments as well!

Customized Must-Have Keyboard Shortcuts

These are a few useful customized keyboard shortcuts that for some reason didn’t make the cut when coming out in CS5. If you enjoy this sections tips, you can create your own keyboard shortcuts by going to Edit > Keyboard Shortcuts (or Shift + Option + Command + K)!



11. Flip Horizontally and Flip Vertically: How great would it be to have a keyboard shortcut that flips your pixels horizontally and vertically? Try custom binding Flip Horizontally to Shift + Command + H (for horizontal!) and Shift + Command + J (since V is so commonly used for pasting) for Flip Vertically.



12. Convert Point Tool: This is a powerful and useful tool when dealing with any sort of paths/shape layers in Photoshop. It also shares similar functionality to its sister tool in Illustrator so if you want to maintain a little more consistency between the two programs, consider binding this tool to C (which is currently the crop tool but we’ll get to that in our next point).



13. Edit > Crop: The crop/slice tool by default is a great tool to have, but think about how useful it would be to simply make a selection and crop with that selection instead in Photoshop. Even if you are a fan or frequent user of the crop/slice tool, utilizing the general crop function can be a valuable asset to have. So consider assigning a shortcut to this editing function such as Shift + Option + Command + C.

Photoshop, the Word Processor

Who knew Photoshop could be such a great typography program! Consider using these shortcuts below for faster and more impressive typography in your PSD.



14. All Caps (Command + Shift + K): Aside from using Underline (command+shift+U), this will be your go to for making certain parts of your typography all caps.



15. Faux Bold (Command + Shift + B) & Faux Italic (command+shift+I): If your font has a bold or italic weight, this shortcut will toggle between the font family’s weight. Otherwise, it’ll simply add a faux weight style to your font selection.



16. Decreasing and Increasing Leading (Option + Up or Down Arrow), Tracking (Option + Left or Right Arrow), and Kerning (Option + Shift + Up or Down Arrow): If you’re a typography machine, these shortcuts will turn your bland paragraphs into beautiful print-quality works of art!



17. Add Space After (or Before) Paragraph: Under the paragraph window, you can designate how much spacing a paragraph has after the paragraph is completed. No more double indenting to get the pseudo content separation you’re looking for.



18. Command + Enter = Commit… Anything: Instead of hitting that annoying little check box on the top menu bar, if you use this shortcut, you’ll be able to exit out of Type Tool editing mode. As a bonus, this shortcut also works for committing Transform edits as well!



19. Fast Cycling through Fonts: Trying to see which font would work best for that header copy? Select the text layer you’d like to adjust, make sure the text tool is active, and simply click on the font name’s input field. Once this field is highlighted, you can simply hit the Up and Down Arrow to cycle through your various fonts. You can also hit certain letters to jump through to various parts of your font library. Oh, and need to just experiment with one or two words in your text field? You can highlight the words you want to play around with and cycle through the fonts using the same method.

Layers, Masks, and Styles

Ah yes, the heart of Photoshop. You thought these things only sat in your layer panel? Check out what fun and convenient things you can do with them.


20. Merge one or more layers (Command + E): For a quick merging of one or more selected layers (and the don’t have to be adjacent to one another), hit Command + E to merge them up. All of the merged items will merge upward and assume the layer name of the top-most selected layer.



21. Create a flattened image of your PSD and place that image on top of your existing layers (Shift + Option + Command + E): An absolute favorite go-to. Rather than simply merging all of your PSD’s layers with Shift + Command + E, you can create a flattened image of your entire PSD on top of your existing layers. Sure your fingers will be doing quite a curl, but it’s well worth it!



22. Group layers (Command + G): Groups are a must for layer organization and any sort of collaborative work with other people. Select multiple layers and use this shortcut to group like items together. It reduces the scrolling work you’ll have to do in your layers panel and might aid in moving around, applying masks to, and correctly utilizing multiple layers at one time.



23. Layer linking: And if you’re opposed to grouping layers, you can always link layers of similar relation. Just right click on the selected layers you’d like to link and choose Link Layers. Linked layers don’t have to be next to each other so you can take some text from the top of your layers and link it to images that may be residing at the bottom of your layers panel. Linked layers will always move together if one of the linked layers is being moved. Similarly, linked layers will maintain the move-centric lock attributes (Lock position and Lock all) that any of its other linked layers may have.



24. Select multiple layers via selection: If you’re trying to move multiple layers within a given selection on your canvas, activate the Move tool and then hold down Shift + Option + Command and drag your cursor (it will create a rectangular selection marquee) over the area you wish to select multiple layers of.



25. Easy hiding and showing of multiple layers: If you have a section of layers you wish to show or hide quickly, you can click and hold down on a visibility symbol (the eye), and drag your mouse across the layers you wish to quickly toggle on or off. With this trick, you can either drag straight up or down the visibility symbols OR you can even weave around some visibility symbols that you don’t want to toggle so long as you’re still holding down and dragging!



26. See all corresponding layers at given pixel: Although tip #24 is a great way of selecting multiple layers at once via a selection, you might need to only select a certain layer within any given area of your canvas. Right click on the canvas and you will be given a menu list of all of the layers that have a visible pixel in that exact pixel location.



27. Selects all visible pixels on any layer, path, or mask: To select all visible pixels in any given layer, path, or mask (layer or vector based), hold down Command and click on the thumbnail in the layers panel to create your selection. For example, selecting a vector mask will select all path shapes within the mask, and selecting a layer with some brushed elements will select all of the brushed pixels on that particular layer. If you wish to make multiple selections, simply hold down Shift and click on any additional thumbnails.



28. Temporarily hide the effects of the layer or vector mask: To temporarily disable a layer or vector mask, Shift + click on the mask’s thumbnail to toggle the mask on and off.



29. Shift + dragging with direct select tool: This enables you to create selection boxes which allows for easier selection of bezier points (rather than having to click on them individually!). Remember you can hold down shift to click + drag multiple points



30. Keyboard shortcut for moving between layers (Option + [ or ]): If you’re working in the same layers, why not utilize a keyboard shortcut to quickly maneuver to the layer you need to be on rather than moving over to the Layers Panel and individually clicking each layer?



31. Keyboard shortcut for moving layers (Command + [ or ]): You can also quickly move a selected layer up or down layers panel. And if you need to simply move a layer to the top or bottom of your layers panel, hold down Shift + Command + [ (move to bottom) or ] (move to top).

Seeing the Bigger Picture

Whether it’s zooming in and out, removing menu bar clutter, or seeing multiple windows of it at the same time, there are dozens of way you can view your working PSD. So let this influential and useful ability to view your PSD be easy and quick to use.



32. Toggle between Screen Modes Using F: Tap F once to toggle to Full Screen Mode with a Menu Bar. Tap F again to toggle to Full Screen Mode (automatically turns your gray artboard area black). And Tap F one last time to bring you back to your working Standard Screen Mode.

33. Spacebar + click to pan: An easy way of panning up, down, left, or right. Don’t forget to take advantage of the auto-easing effect Photoshop has upon mouse click release!

34. Zoom in and out using option + mouse wheel/scroll: This is an easy and great way of zooming in and out of areas without having to deal with forced zoom size intervals.

35. View Actual Pixels (command+1) and Fit on Screen (command+0): One of the most used go-to shortcuts. Sometimes you have to see



36. View PSD in two windows simultaneously: Seeing two views of the same PSD simultaneously comes in very handy. For example, you could be working on a homepage at 100% zoom on your main screen but have a full-window and zoomed out view of the entire homepage on another screen. It helps let you see the forest through the trees, especially when your head’s staring down at individual pixels of a design. So try utilizing a two window view by going to Window > Arrange > New Window for “Your PSD”

Options with the Option Key

The Option key, one of the greatest keys a Mac has to offer. But how does this key extend its great functionality into Photoshop? See what fun Option + dragging has to offer.



37. Easy Clipping Masks: If you want to quickly clip two adjacent layers together, hold down Option and hover your pointer between two layers. It will clip the upper layer to the lower layer.



38. Copying Layer Styles and Effects: Hold down Option and drag the fx symbol with the effects you want to copy over to the layer you wish to copy the layer effects to. It will duplicate all of the layer styles of the first layer over to the different layer. Additionally, if you only want to copy one particular style (such as a Drop Shadow) from one layer to another, simply click the actual name of the effect itself (in this case Drop Shadow) and Option + drag that effect over to the layer of your choice.



39. Copy Layer Masks and Vector Masks to other layers and groups: Did you know that you can also Option + drag Layer Masks and Vector Masks onto other layers and groups? Simply select the actual thumbnail of the Layer or Vector Mask and Option + Drag it over to the desired layer or group.



40. Option + double clicking on a background lock unlocks the background property: If you’re working with recently opened images or Background layers in Photoshop, you can simply hold down Option and double click on the lock itself to remove the locked Background layer property. As another note, dragging the lock symbol over to the trashcan will do the same trick (as well as for any of the other layer lock functions).

41. Fast Eyedropper: In addition to its normal useful shortcut (I), if you’re in any of the retouching/painting tools (such as the brush tool) you can easily switch your cursor’s tool function into a quick eyedropper by simply holding Option. The minute you let go of Option, your cursor will return to its original tool.

Things You Know You Should be Doing More

Even when no one’s looking, you should still be implementing these tips below into your everyday workflow. They’re great tricks to get into the habit of doing and they’ll make the usability of your PSD skyrocket!



42. Save for Web & Devices (Shift + Option + Command + S): As cramped as your hand might get from reaching to hit all of the keys for this shortcut, the price is worth the time saved since you’ll often be utilizing this when saving out your PSD.



43. Close an Individual PSD Window (Command + W): If you’ve got multiple PSD windows open that you’re jumping between and you need to quickly close one the PSDs, instead of aiming for that ridiculously small close button, try using Command + W to close that individual PSD instead. And if you get that annoying little fail-safe window for when you’re closing an unsaved PSD, why not save a click by hitting S (for Save), C (for Cancel) or D (for Don’t Save)?



44. Adding or subtracting from selections: If you want to do more than one marquee selection at one time, hold down Shift to add more selections or Option to subtract from your existing selections.



45. HUD Color Picker via Mouse instead of Color Picker via toolbar: A nice new feature of CS5 has been the convenient implementation of being able to access the color picker without breaking a workflow (via the normal Color Picker window that you have to click to open). Simply hold down Control + Option + Command and click while using a tool from the retouching/painting section of the toolbar to activate the new Color Picker. You can also customize the view of this Color Picker in the General tab of the Photoshop Preferences Panel.



46. Use Smart Objects: Smart objects are great in that they preserve the original state of an object before being converted to a smart object. They’re also useful in that you can create duplicates of a single smart object (like a button), make a change within the original smart object’s PSB file, and then have that change affect all of the duplicate instances of the smart object. To create a smart object, simple select the layer(s) you wish to combine into a single object, right click in the layers panel, and select Convert to Smart Object.



47. Use Smart Filters: If you love using filters, you will love using smart filters. Not only are smart filters non-destructive, but the smart filter gallery view allows you to see what a layer would look like with multiple filters stacked together, and once you’re done saving the filters, you can turn them off easily by accessing their visibility in the layers panel. Lastly, one of the greatest things about smart filters is that they come with Filter Masks which act just like Layer Masks, so you can mask away parts of the filter if you so choose!



48. Save Layer Styles and Patterns: You’ve probably made that same button style over a dozen times now, so why not simply save that layer style setting and apply it whenever you need to? The “New Styles…” button is placed right below the OK and Cancel buttons in the Layer Styles panel but it’s often overlooked. Simply craft your layer styles, hit the New Styles button and save your layer style into your presets. If you want to apply that layer style again in the future, simply go back to the layer styles panel, click Styles on the top of the left navigation bar, click on the style you created, and hit OK! You can also manage your styles as well as other presets through the Preset Manager via Edit > Preset Manager…



49. Snapshots and Layer Comps: Stop turning groups and layers on and off to see what your design would look like with different changes and compositions. Utilize Snapshots to take a temporarily saved history instances of your PSD’s state; or, consider using layer comps to save specific states of visibility, position, and layer styles that you can go back to at any time in the PSD.



50. Snap to Pixels: Last but one of the most important, whenever using paths or shape layers, be sure to enable this option to ensure pixel-perfect designs. And when you do decide to move around those shapes, avoid Transform + moving these elements as different zoom levels make them susceptible to being placed in between pixels (rather than being locked in line with the next available pixel)!

So there you have it, 50 of our best tricks and shortcuts we use when working in Photoshop. So, did you find any new tricks from this list? Have any Photoshop tricks you think are must-haves to a workflow? Let us know in the comments below!

Best plugins to improve your workflow with Adobe Illustrator

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There are plenty of plugins out there designed to improve your workflow - here are some of the best.

While Illustrator doesn't have as many plug-ins as its raster brother Photoshop, developers take the application very seriously when it comes to building new tools,effects and workflow solutions.

Extending the abilities of Illustrator isn't usually necessary, but, as with Photoshop, plug-ins can save time and effort. These plug-ins won't cause a mini-revolution in your studio, but they will enable you to do certain tasks quicker. Plus, many of these are designed for older versions of Ai, adding some functionality of newer versions without the additional expense of upgrading.

Learn more with these 100 brilliant Illustrator tutorials

We kick off with a collection, so there are actually WAY more than 14 Adobe Illustrator plugins here! But we've barely scratched the surface – share your favourite plugins with the design community in the comments.

01. Andrew's Vector Plug-ins Collection


Price: £60
Compatibility: CS to CS5
The collection is a set of 40 or so plug-ins, plus hundreds of symbols, brushes, styles and patterns. Individual plug-ins include Zigzag, Warp, Lattice and Starburst – all doing exactly what you'd think. While the collection isn't going to win any awards for quality, the price isn't bad for the sheer volume of extras you get. And if you find a gem in there that suits your needs, it will be money well spent.

02. Graffix Path Area

Price: Free download
Compatibility: Ai 7/8/9, CS, CS2, CS3, CS4, CS6
If you need to calculate the length or area of interlocking or singular Illustrator paths, there is an inbuilt option, but it involves accessing the debugging dialog box and scanning for the appropriate info. Graffix Path Area makes the process speedier. Users access it via the Filters menu, and it gives the length of a selected path, or area of conjoined paths and shapes, making precise calculations for printed graphics far snappier to retrieve.

03. EskoArtwork Data Exchange Plug-in

Price: Free
Compatibility: CS6 to CC2014
ArtiosCAD is a mainstay application in the packaging design industry, and this Illustrator plug-in acts as the perfect bridge. It enables users to open native ArtiosCAD files in Illustrator without the need to convert and flatten them, position them on the artboard and then apply swatches, objects and full Ai files upon the ArtiosCAD design. You can then manipulate guides and paths of the Illustrator artwork directly on the ArtiosCAD object.

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04. CADtools 9


Price: $279
Compatibility: CS5 to CC2014
As the name suggests, CADtools adds CAD functionality to Illustrator.Very useful features include the ability to snap objects and project art onto isometric grids, which can save hours on its own. CADtools also adds many tools to the Illustrator toolbox. It's a well-thought-out plug-in that can boost efficiency dramatically. Download the free trial and see if it suits your needs, because it's not cheap.

05. MultiPage 4

Price: $99
Compatibility: Ai 9 to CS4
MultiPage is about as simple a plug-in as you'll find. But, as is often the case, this simplicity makes it very effective and very usable. MultiPage cleverly uses layers, in combination with its own palette, to set up the effect of having multi-page documents in Illustrator. You can even use master pages. The plug-in is handy for the occasional longer print job and very inexpensive. But if longer print jobs come your way more often, you might as well get your hands on InDesign.

06. Path Styler Pro 1.5


Price: $99
Compatibility: CS to CS5
Bevels are the name of the game with this plug-in. While it's true that Path Styler Pro isn't likely to feature prominently in your day-to-day creative work, it does have its uses. It's handy for coming up with logo concepts, and will come in very useful if you ever have an interface to design. Easy to use and with a fluid interface of its own, it's an interesting if somewhat gimmicky addition to your arsenal.

07. Concatenate


Price: Free
Compatibility: CS3 to CS5
Concatenate is a plug-in filter that connects multiple paths into one continuous path, similar to the Merge Path command when using the Blob Brush tool in Illustrator CS4 and CS5. However, Concatenate adds a few extra features including an 'assimilate' function, which scans a selected area or layer for unselected paths, and adds them to the merge. The 'connect' function then enables users to subsequently add lines or extra segments between open paths.

Scalable vector graphics or SVG

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Scalable vector graphics (SVG for short) let designers create high-quality images using  XML by describing two-dimensional graphics.Users associated graphic files with JPEG and GIF. But the advantage that SVG has over these most popular graphic file extensions is that it retains its quality when zoomed in or out using your desktops or tablets. As a result, SVG prints in higher resolution and is easier to compress compared to other file types. More importantly, unlike any other image file, SVG can be edited using Notepad since it is made using XML.

History

SVG has been around as early as 1999 with companies like Apple and Abode developing this new file format. But in 2001, SVG was retooled to include mobile profiles and other features.

SVG was first supported by web support in 2004 by Konqueror. All browsers supported SVG in 2011. There is mobile support for SVG but other smartphones accommodate SVG Tiny, which has other features that SVG doesn’t have like non-scaling strokes.
The Basics

Like any markup languages, the SVG element requires an opening and closing tag (or self-closing) so it shows properly on your browsers:

<svg></svg>
   

or

<svg/>
   

Specify the width and height of the element so that it will have a predefined size. Without indicating its width and height, the SVG will occupy as much space as it can.

<svg width="100" height="100"/>
   

By entering the number for each axis, the browser will interpret this as pixels or px. You can enter measuring units such as pt, mm, em, cm, and in.

You can create basic shapes using SVG with rect, circle, ellipse, line, and other tags.

<rect width="100" height="25"/>
   

Specify the coordinates of the SVG element in your page by indicating the x and yaxis.

<rect x="50" y="50" width="100" height="25"/>
   

In this command, the rectangle will appear 50 pixels away from the default position, horizontally and vertically.

For the circle tag, use cx and cy to determine the coordination of the circle’s center in the page. Use r to specify its radius.

<circ cx="50" cy="50" r="50"/>
   

For other commands for basic shapes, style, and layering and drawing order, read this informative post by Scott Murray.
Benefits of using SVG

Aside from its high-resolution, small file size, and ability to be edited using a markup language, SVG is also easier to load on your browser. Instead of requesting the server for JPEG or GIF files to be loaded onto the browser, SVG can be embedded in the HTML of the page. This reduces HTTP request by the browser to the server, which means faster and more efficient loading of your site.
Best examples

SVG also works best on JavaScript and CSS to create dynamic website content for presentations.

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